About NaN Tragedy

NaN Tragedy is the unexpected consequence of time travel, a chimera child of two epochs. Its structure and energy are inheriting the pace of a religious scribe, while its geometrical detail treatment lies in the atom accelerator at CERN. Tragedy tells a story of oppositions lying in the same body. Classical but contemporary. Unconventional but functional. Energetic and lively but sturdy. Extravagant but evident and, ultimately, simple.

NaN Tragedy Text embraces the challenge of being a functional text typeface with unconventional shapes, applying an economical approach to display features with optical corrections, such as its exaggerated calligraphic contrast axis. These idiosyncrasies come upon a classic skeleton, leaning towards both typographic legacy and modernity. It mixes exaggerated and virtuosos forms (just check out those italics) with clarifying straightforward lines, creating a palpable tension within Tragedy’s entanglement of simplicity and drama.

This wonderful melodrama is exaggerated at the extremes of Tragedy’s family, with its Display cut embracing unruly theatrical expressions whilst emphasising the extravaganza of its Text counterpart. More compact and contrasting in nature, the design of Tragedy Text buckles down on finesse and character, crafting tight and impactful headlines.

Last born of the family, Tragedy Mono pushes its typographic contradictions even further, applying technological constraints foreign to its first era of inspiration. Tragedy’s modulated diagonal stress brings a texture rarely seen in a monospace font, clashing with the severe structures forced by the monospace constraint. As such, it might be the most modern sibling of the family.

On the design stage, NaN Tragedy is a versatile type family that is both sock and buskin, forever raising the question, can NaN Tragedy be really avoided?

www.infinite-tragedy.com

Typeface: NaN Tragedy
Lead Designer: Jean-Baptiste Morizot
Tragedy Mono:
Jean-Baptiste Morizot, Léon Hugues, Daria Cohen
Year: 2019-2023
Languages: Supporting 219 latin based languages
Formats: TTF, WOFF2 (Autohinted)

Download PDF Specimen

Microsite: www.infinite-tragedy.com

The Age of Precarity
The Faithful Shepherdess
Work Without the Worker
The Destruction of Reason, 1902
Life is a comedy to those who think, a tragedy to those who feel.
He who climbs upon the highest mountains laughs at all tragedies, real or imaginary.
OEFENMATCHEN. KV Mechelen klopt Genk, zuinige zege voor Standard
Rays Center Fielder No. 947 in Draft, No. 1 in Defense
ANALYSE. Iedereen kijkt naar Sagan (behalve zijn eigen team)
Mendes vs. McGregor: UFC 189 Main Event Odds, Predictions and Tale of the Tape
Video: What It’s Like to Face a 150 M.P.H. Tennis Serve
Giants’ Jason Pierre-Paul Should Be Able to Overcome Loss of Finger, Former Players Say
Orienteering’s Key to Winning: Not Getting Lost
Boston’s 2024 Olympic Bid Faces Skepticism Despite New Proposal, Poll Finds
One swallow does not make a summer, neither does one fine day; similarly one day or brief time of happiness does not make a person entirely happy.
EDUCATING THE MIND WITHOUT EDUCATING THE HEART IS NO EDUCATION AT ALL.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxtz
#0123456789
!?&%@
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxtz
#0123456789
!?&%@
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxtz
#0123456789
!?&%@

Variable Font Preview

MorningWool

NaN Tragedy Mono

Monastic GPT4
The Automatic Shepherdess
WORK WITHOUT THE WORKER
Life is a comedy to those who think, a tragedy to those who feel.
He who climbs upon the highest mountains laughs at all tragedies, real or imaginary.
OEFENMATCHEN. KV Mechelen klopt Genk, zuinige zege voor Standard
Rays Center Fielder No. 947 in Draft, No. 1 in Defense
ANALYSE. Iedereen kijkt naar Sagan (behalve zijn eigen team)
Mendes vs. McGregor: UFC 189 Main Event Odds, Predictions and Tale of the Tape
Video: What It’s Like to Face a 150 M.P.H. Tennis Serve
Giants’ Jason Pierre-Paul Should Be Able to Overcome Loss of Finger, Former Players Say
Orienteering’s Key to Winning: Not Getting Lost
Boston’s 2024 Olympic Bid Faces Skepticism Despite New Proposal, Poll Finds
EDUCATING THE MIND WITHOUT EDUCATING THE HEART IS NO EDUCATION AT ALL.
using namespace std;
int main() {
float a, b, c, x1, x2, discriminant, realPart, imaginaryPart;
cout << 'Enter coefficients a, b and c: ';
cin >> a >> b >> c;
discriminant = b*b – 4*a*c;
if (discriminant > 0) {
x1 = (-b + sqrt(discriminant)) / (2*a);
x2 = (-b – sqrt(discriminant)) / (2*a);
cout << 'Roots are real and different.' << endl;
cout << 'x1 = ' << x1 << endl;
cout << 'x2 = ' << x2 << endl;
}
else if (discriminant == 0) {
cout << 'Roots are real and same.' << endl;
x1 = -b/(2*a);
cout << 'x1 = x2 =' << x1 << endl;
}
else {
realPart = -b/(2*a);
imaginaryPart =sqrt(-discriminant)/(2*a);
cout << 'Roots are complex and different.' << endl;
cout << 'x1 = ' << realPart << '+' << imaginaryPart << 'i' << endl;
cout << 'x2 = ' << realPart << '-' << imaginaryPart << 'i' << endl;
}
return 0;
}
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxtz
#0123456789
!?&%@

Variable Font Preview

MorningWool

Selected Opentype Features

Quarriors Long Tailed (Q)
Affamée Ligatures
Cyberpk 2148 Oldstyle Figures

Styles

Sign Up for Trial Fonts

NaN uses Fair Font Pricing to ensure fair access to our fonts no matter where you are in the world. As a coffee doesn’t cost the same depending of where you live, neither do our fonts. FFP is based on purchasing power parity by the World Bank. It looks like you’re in Germany. Your total cost will be adjusted down by 17%. Country and final pricing confirmation at checkout.

Select NaN Tragedy

NaN Tragedy Display Subfamily Per Style ⁘ 40
NaN Tragedy Display Mono Subfamily Per Style ⁘ 40
NaN Tragedy Text Subfamily Per Style ⁘ 40

Select Your Font License

1. License Type

Our Commercial License is based on a perpetual, worry-free model with no surprise costs. The key metric we use is the end-user’s company size as measured by employee count. Agencies are allowed to buy and use fonts on behalf of their end-user clients.

Our Pitch License offers access to complete, full-featured fonts for internal trial and pitch purposes only at a 70% discount. This allows you to test-drive and present our fonts in your mockups before project sign-off.

We offer an 80% discount to students and educators. Students may use licensed fonts for both school projects and commercial ones during and after their studies, as long as they work for companies with less than 6 employees. No I.D required, we trust you.

Our Charity and Social Enterprise License offers everything that our Commercial one does but for a 50% discount. The licensee must be a registered charity, non-profit or social enterprise.

2. Covered usages

3. Company Name
[?]
End-user company name including client or organisation / student. The company or organisation making final use of the fonts for its communication. The agency or studio is only a sub-contractor. By using the fonts, this company agrees to the license terms.

4. Company Size
[?]
This is the number of people who work for the end-user company (employees and sub-contractors combined). External designers or agencies working on behalf of the end-user should be included. Any freelancer or sub-contractor working more than half of their time for the Licensee for a duration of minimum 3 months should be counted in their employee number.

Licensee →

The licensee is the company or organisation making final use of the fonts for its communication. The agency or design team is a sub-contractor and should be included in the Licensee’s employee count.

Read our EULA

Company Size →

This is the number of people working for the company (employees, designers and sub-contractors combined).

Any doubts or questions? Read our F.A.Q.

Pricing Model →

Our pricing model is based on the size of the Licensee’s company. The price increases with the size of the company. Our pricing model also takes into account the Licensee’s country of residence to adjust the price in a fairer way.

Cart (0) Total price 0
License added to cart. Go to Cart →
Product added to cart. Go to Cart →
Emptied all cart items.

If You Liked X You May Like Y?