About NaN SuperX

NaN SuperX is NaN’s hommage to phototyping era typefaces with a disproportiontedly big x-height; a system comprising Sans and Serif in 8 weights plus italics in both Latin and Arabic.

NaN SuperX Serif is a high contrast old-style serif with leaf-shaped tear-drops and a dynamic italic rooted in pointed-nib calligraphy. SuperX Serif achieves a balance of vividness and sleekness through its detailing: vivid round shapes, smooth shoulders in the roman and italic; but a sleek angular tail for the /a, sharp apexes for the /V/v/W/w and vertical serifs for the /C/S/sx§/Z/z, etc.

NaN SuperX Sans is a hybrid; a humanist sans with grotesque detailing or the contrary. Its main structure and proportions are borrowed from the Serif, leading to distinct open counters and vertical cuts in the terminals of /a /s /S. Other round letters (/c /e /g) embrace a closed neo-grotesque structure with horizontal terminals, leading to a vivid and surprising character. Quite jolly.

SuperX Serif and Sans make a contrasting but matching pair, excelling to set the tone of campaign headlines with a tight line-height.

Version 1.0 – April 2025
Every licensee of the Full Family package will receive every next update for free.
Be prepared for other optical sizes.

Typeface: NaN SuperX
Designed by NaN
NaN Team: Hugues Gentile, Fanny Hamelin, Fadhl Haqq, Léon Hugues, Jean-Baptiste Morizot, Luke Prowse, Florian Runge, Jolana Sýkorová
Additional Engineering: Igino Marini
Year: 2024-2025
Languages: Supporting 482 Latin-based languages and 33 Arabic-Based languages
Formats: TTF, WOFF2 (Autohinted)

The Problem of Defining Sanity
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession.
Neglecting Self-care
Der Begriff „leibeigen“ ist erstmals in einer von Adolf Friedrich I. von Mecklenburg herausgegebenen „Gesinde- und Bauernordnung“ von 1645 belegt.
FORGET THE CONSEQUENCES OF YOUR ACTIONS & UNDERESTIMATE THE DIFFICULTY OF THE CHALLENGE AHEAD AND OVERLOOK THE OBSTACLES!
One swallow does not make a summer, neither does one fine day; similarly one day or brief time of happiness does not make a person entirely happy.
The decline of serfdom in Western Europe has sometimes been attributed to the widespread plague epidemic of the Black Death, which reached Europe in 1347 and caused massive fatalities, disrupting society. Conversely, serfdom grew stronger in Central and Eastern Europe, where it had previously been less common (this phenomenon was known as “second serfdom”).
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
Never Trust The Rumors!?
Lysergic Acid Diethylamide* Is An Ergoline Derivative: 5-HT1A (Ki = 1.1 nM), 5-HT2A (Ki = 2.9 nM), 5-HT2B (Ki = 4.9 nM)
OEFENMATCHEN. KV Mechelen klopt Genk,
zuinige zege voor Standard
Rays Center Fielder
No. 947 in Draft, No. 1 in Defense
ANALYSE. Iedereen kijkt
naar Sagan (behalve zijn eigen team)
Mendes vs. McGregor: UFC 189 Main Event Odds,
Predictions and Tale of the Tape
Video: What It’s Like to Face
a 150 M.P.H. Tennis Serve
Giants’ Jason Pierre-Paul Should Be Able to Overcome Loss of Finger, Former Players Say
Orienteering’s Key to Winning:
Not Getting Lost
Boston’s 2024 Olympic Bid Faces Skepticism Despite New Proposal, Poll Finds
#000 — Luciana Hainzelin
#001 — Leya Dombes
#002 — Anjana Defache
#003 — Aryelle Bergeal
#004 — Kameron Bidaux
#005 — Iliess Rochebouet
#006 — Narcisse Montanavelli
#007 — Johra Balannec
#008 — Rudie Gouabault
#009 — Pasqualino Bitout
#010 — Albertus Vignoulle
#011 — Joshua Jurion
#012 — Meloud Aude
#013 — Maroi Kessenheimer
#014 — Leana Serusclat
#015 — Samuella Thibus
#016 — Egle Grandazzi
#017 — Miia Langelier
#018 — Art Champandard
#019 — Gaella Sompayrac
#020 — Philippine Ferlisi
#021 — Chrislene Zemire
#022 — Keycha Desebe
#023 — Kamel Niault
#024 — Akime Boudol
#025 — Amadou Medez
#026 — Dastane De Blasiis
#027 — Bulent Brivezac
#028 — Azize Boussekine
#029 — Tatianna Neiva
#030 — Mordjane Pojer
#031 — Christ-Emmanuel Sergolle
#032 — Kaourantin Darbier
#033 — Sisley Pomes-Pedabadie
#034 — Antoine-Louis Sibertin-Blanc
#035 — Iara Hopquin
#036 — Erminia Boudjemaa
#037 — Djessi Farinaux
#038 — Indila Madine
#039 — Ceres Leobold
#040 — Maolan Addenet
#041 — Joab Palomino
#042 — Lenaick Jagorel
#043 — Maissa Spinetti
#044 — Garcia Diette
#045 — Rose-Hélaine Monthioux
#046 — Lisy Mehah
#047 — Hayder Limer
#048 — Reneld Boulhic
#049 — Otto Duchambon
#050 — Loéva Priest
#051 — Romulus Wohlgemuth
#052 — Morena Vanfleteren
#053 — Ptissem Haquet
#054 — Maellysse Amadon
#055 — Véronica Lepeut
#056 — Alphena Dial
#057 — Thyana Degroisse
#058 — Dosithee Reissent
#059 — Annelie Grosdoigt
#060 — Alise Cattaud
#061 — Madalina Heizmann
#062 — Clothaire Leculee
#063 — Maureene Atache
#064 — Douae Vandenboren
#065 — Telmo Nouallet
#066 — Chaida Vigeon
#067 — Cloud Estampes
#068 — Gregorio Gutmann
#069 — Arnaldo Chauvanet
#070 — Ratib Le Peculier
#071 — Nassime Giboudot
#072 — Magnolia Kronenberger
#073 — Loryanne Mauchoffe
#074 — Eldin Schenegg
#075 — Hayna Basillais
#076 — Ylenia Peruzza
#077 — Lisandro Cotereau
#078 — Eusebia Montier
#079 — Liria Labasque
Churchgoer
The Donkey Doesn’t Rush, But It Always Arrives…
DIE LEIBEIGENSCHAFT WURDE DURCH DIE GEBURT BEGRÜNDET; AUSSCHLAGGEBEND WAR DER STAND DER MUTTER. HATTE EIN WITWER KINDER AUS MEHREREN EHEN, KONNTE DIES SOGAR ZUR WEGNAHME VON KINDERN FÜHREN. FREIE KONNTEN IN UNFREIHEIT GERATEN. DIE „VERJÄHRUNG“ DES FREIEN STANDES TRAT EIN, WENN SICH EIN FREIER IN EINER GEGEND NIEDERLIESS, WO DIE LÄNDLICHE BEVÖLKERUNG LEIBEIGEN WAR. SELBST FREI GEBORENE KINDER WURDEN LEIBEIGEN, WENN IHRE ELTERN NACH DER GEBURT LEIBEIGEN WURDEN.WER SICH ALS FREIER NICHT MEHR WIRTSCHAFTLICH HALTEN KONNTE, KONNTE SICH IN LEIBEIGENSCHAFT BEGEBEN. UM WIRKSAMKEIT ZU ERLANGEN, MUSSTE DIESE ERKLÄRUNG IN EINEM ERGEBEBRIEF SCHRIFTLICH ABGEGEBEN WERDEN.AUCH MASSENEIDE NACH VORGEFERTIGTEN MUSTERN KAMEN VOR, MIT DENEN UNTERTANEN SICH VERPFLICHTETEN, SICH DEM LEIBHERRN MIT LEIB UND GUT NICHT ZU ENTFREMDEN, IN WÜRTTEMBERG 1282/1283 UND 1296/1297, UND IN BASEL 1499. DIE AUFHEBUNG DER LEIBEIGENSCHAFT KONNTE DURCH FREILASSUNG GEGEN ENTGELT UND NACH BELIEBEN DES GUTSHERRN ERFOLGEN.[55] DIE ABWESENHEIT VOM GUT HATTE DIE VERJÄHRUNG DES LEIBEIGENTUMS ZUR FOLGE. BEI LEDIGEN BETRUG DIE FRIST 31 JAHRE, SECHS WOCHEN UND DREI TAGE; BEI VERHEIRATETEN ZEHN JAHRE. IN WÜRTTEMBERG KAM ES IN AUSNAHMEFÄLLEN ZUM AUSTAUSCH VON LEIBEIGENEN ZWISCHEN EINZELNEN LEIBHERREN, INSBESONDERE IN ANGRENZENDEN TERRITORIEN. EIN WECHSEL KAM AUCH AUF INITIATIVE VON LEIBEIGENEN VOR, MEIST WENN SIE HEIRATEN UND DESHALB WEGZIEHEN WOLLTEN, ABER KEIN GELD FÜR EINEN FREIKAUF HATTEN. LEIBEIGENE KONNTEN MIT GÜTERN UND AUCH EINZELN VERKAUFT WERDEN.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
والكنيسة الآنجليكانية
أراك في المرة القادمة
إذا كان الصوت الخاص بك لا يعمل مع (معظم) المتصفحات الحديثة ، فالرجاء استخدام لوحة تحكم الموقع لتغيير إعدادات الصوت الخاصة بك إلى. تأكد من النقر فوق “حفظ التغييرات” في الزاوية اليسرى السفلية لتطبيق الإعداد. هذه الخطوة ضرورية لأننا للأسف غير قادرينعلى تعديل القيمة (القيم) “الافتراضيةعدادات موقع في الوأضا ، يرجى ملاحظة أن هذا الموقع يحت ميزتي “بحث بحث” مختلفتين منفصلتين تماما. في حين أن كلا الوضعين يقبلان مصطلحات البحث باللغة الإنجليزية أو التايلاندية للبحث الكامل في قاموسنا التايلاندي على الإنترنت ، فإن مربع “البحث” في الزاوية اليسرى العلوية يكون عموما أقل فائدة لأنه قد يوفر نتائج كثيرة جدا وبترتيب عشوائي. بدل من ذلك ، ضع في اعتبارك استخدام اللوحة في علامة تبويب القاموس (في أعلى الصفحة) عند البحث عن الكلمات والعبارات التايلاندية. يحتوي هذا البحث على بعض التحسينات التي قد تجدها مفيدة.
أراك في المرة القادمة
العقاب الذهبية أو العقاب الذهبي أو اللماعة (الاسم العلمي: Aquila chrysaetos) هي إحدى أشهر الجوارح في العالم وأكثرها شيوعا في نصف الكرة الأرضية الشمالي، ومن أكبر العقبان على الإطلاق. تنتمي هذه العقبان إلى فصيلة البازية ورتبة بازيات الشكل مثل غيرها من بني جنسها، وقد كانت سابقا واسعة الانتشار عبر الإقليم القطبي الشامل، لكنها اليوم اختفت من معظم المناطق المأهولة منه، وانحصرت في البراري والغابات البعيدة عن المناطق الحضرية، لكنها على الرغم من ذلك لا تزال واسعة الانتشار عبر معظم أنحاء موطنها في أوراسيا وأمريكا الشمالية وبعضا من أنحاء أفريقيا، وتتركز أكبر جمهراتها في مقاطعة ألاميدا في ولاية كاليفورنيا الأمريكية. يتخذ ريش هذه الطيور لونا بنيا قاتما بأغلبه، وما يقع منه على العنق والرأس أبهت ضارب إلى الذهبي.
العقاب الذهبية أو العقاب الذهبي أو اللماعة (الاسم العلمي: Aquila chrysaetos) هي إحدى أشهر الجوارح في العالم وأكثرها شيوعا في نصف الكرة الأرضية الشمالي، ومن أكبر العقبان على الإطلاق. تنتمي هذه العقبان إلى فصيلة البازية ورتبة بازيات الشكل مثل غيرها من بني جنسها، وقد كانت سابقا واسعة الانتشار عبر الإقليم القطبي الشامل، لكنها اليوم اختفت من معظم المناطق المأهولة منه، وانحصرت في البراري والغابات البعيدة عن المناطق الحضرية، لكنها على الرغم من ذلك لا تزال واسعة الانتشار عبر معظم أنحاء موطنها في أوراسيا وأمريكا الشمالية وبعضا من أنحاء أفريقيا، وتتركز أكبر جمهراتها في مقاطعة ألاميدا في ولاية كاليفورنيا الأمريكية. يتخذ ريش هذه الطيور لونا بنيا قاتما بأغلبه، وما يقع منه على العنق والرأس أبهت ضارب إلى الذهبي.
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@

Variable Font Preview

Nuncupate
Unflattering
Mercenaries

Selected Opentype Features

Malabär Single-storey -a-
Ragged Schoolbook -g-
Thefft Discretionary Ligatures
Walmart Classic -a- Outstroke
grease.ogg Double-Storey -g-
Eye yolk Schoolbook -y-
#45918 Tabular Figures and Currencies
Cybr 2148 Oldstyle Figures

Samples

NaN SuperX Serif Display – Black Equiangular Nuncupate
NaN SuperX Serif Display – Black Italic Burners Neatly Faithlessness
NaN SuperX Serif Display – Semibold TheCuriousCaseOfACamelWriting
NaN SuperX Serif Display – Semibold Italic (12 Oct. 1875 — 7 Nov. 1942)
NaN SuperX Serif Display – Light THESE GENERAL TERMS AND COND
NaN SuperX Serif Display – Light Italic Beckenmaße bezeichnen in der Geburtshilfe
NaN SuperX Sans Display – Black Mainframe Unendurable
NaN SuperX Sans Display – Black Italic Another Moon – Kimchi and Chips
NaN SuperX Sans Display – Semibold 10Y YIELD UP 10BPS TO 2.65%
NaN SuperX Sans Display – Semibold Italic Sein Vater war Håkon Jarl Sigurdsson
NaN SuperX Sans Display – Light [email protected]
NaN SuperX Sans Display – Light Italic @hash {'ME','
NaN SuperX Serif Display Arabic – Black المعكرونة أو المكرونة أو باستا أو العجائن
NaN SuperX Serif Display Arabic – Semibold حتى السمكة تبدو وكأنها تفهم الأمور أفضل
NaN SuperX Serif Display Arabic – Light تختلف المكونات التي تتألف منها الصلصات
NaN SuperX Sans Display Arabic – Black مهما طالت الرحلة
NaN SuperX Sans Display Arabic – Semibold حتى السمكة تبدو وكأنها
NaN SuperX Sans Display Arabic – Light لكنه دائمًا يصل مهما طالت الرحلة

Styles

  • NaN SuperX Serif Display Thin
  • NaN SuperX Serif Display Thin Italic
  • NaN SuperX Serif Display Light
  • NaN SuperX Serif Display Light Italic
  • NaN SuperX Serif Display Regular
  • NaN SuperX Serif Display Italic
  • NaN SuperX Serif Display Medium
  • NaN SuperX Serif Display Medium Italic
  • NaN SuperX Serif Display Semibold
  • NaN SuperX Serif Display Semibold Italic
  • NaN SuperX Serif Display Bold
  • NaN SuperX Serif Display Bold Italic
  • NaN SuperX Serif Display ExtraBold
  • NaN SuperX Serif Display ExtraBold Italic
  • NaN SuperX Serif Display Black
  • NaN SuperX Serif Display Black Italic
  • NaN SuperX Sans Display Thin
  • NaN SuperX Sans Display Thin Italic
  • NaN SuperX Sans Display Light
  • NaN SuperX Sans Display Light Italic
  • NaN SuperX Sans Display Regular
  • NaN SuperX Sans Display Italic
  • NaN SuperX Sans Display Medium
  • NaN SuperX Sans Display Medium Italic
  • NaN SuperX Sans Display Semibold
  • NaN SuperX Sans Display Semibold Italic
  • NaN SuperX Sans Display Bold
  • NaN SuperX Sans Display Bold Italic
  • NaN SuperX Sans Display ExtraBold
  • NaN SuperX Sans Display ExtraBold Italic
  • NaN SuperX Sans Display Black
  • NaN SuperX Sans Display Black Italic

Sign Up for Trial Fonts

NaN uses Fair Font Pricing to ensure fair access to our fonts no matter where you are in the world. Our fonts are priced differently based on location – if the cost of coffee varies from place to place, why shouldn’t fonts? FFP is based on purchasing power parity by the World Bank.

It looks like you’re in Germany. Your total cost will be adjusted down by 18%. Country and final pricing confirmation at checkout. Learn More.

Select SuperX

NaN SuperX Serif Subfamily Per Style ⁘ 40
NaN SuperX Serif Subfamily Per Style ⁘ 40
NaN SuperX Sans Subfamily Per Style ⁘ 40
NaN SuperX Sans Subfamily Per Style ⁘ 40

Select Your Font License

1. License Type

Our Commercial License is based on a perpetual, worry-free model with no surprise costs. The key metric we use is the end-user’s company size as measured by employee count. Agencies are allowed to buy and use fonts on behalf of their end-user clients.

Our Pitch License offers access to complete, full-featured fonts for internal trial and pitch purposes only at a 70% discount. This allows you to test-drive and present our fonts in your mockups before project sign-off.

We offer an 80% discount to students and educators. Students may use licensed fonts for both school projects and commercial ones during and after their studies, as long as they work for companies with less than 6 employees. No I.D required, we trust you.

Our Charity and Social Enterprise License offers everything that our Commercial one does but for a 50% discount. The licensee must be a registered charity, non-profit or social enterprise.

2. Covered usages

3. Company Name
[?]
End-user company name including client or organisation / student. The company or organisation making final use of the fonts for its communication. The agency or studio is only a sub-contractor. By using the fonts, this company agrees to the license terms.

4. Company Size
[?]
This is the number of people who work for the end-user company (employees and sub-contractors combined). External designers or agencies working on behalf of the end-user should be included. Any freelancer or sub-contractor working more than half of their time for the Licensee for a duration of minimum 3 months should be counted in their employee number.

Licensee →

The licensee is the company or organisation making final use of the fonts for its communication. The agency or design team is a sub-contractor and should be included in the Licensee’s employee count.

Read our EULA

Company Size →

This is the number of people working for the company (employees, designers and sub-contractors combined).

Any doubts or questions? Read our F.A.Q.

Pricing Model →

Our pricing model is based on the size of the Licensee’s company. The price increases with the size of the company. Our pricing model also takes into account the Licensee’s country of residence to adjust the price in a fairer way.

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