About NaN Gothic

NaN Gothic is NaN’s rendition of the Sans Serif genre that were done and grew in popularity in the first half of the XXth century in the US of A. It embraces an almost vernacular approach, keeping all the warmth and the quirks but also the sturdiness that this everyday style carries. The results feels familiar, non pretentious, but very dynamic. This dynamism shows itself in many aspects: the sweeps in the letters /t and /y — echoing the tail of the /a — the 20° italic and backslant, the top-heavy /Ss and /Kk…

NaN Gothic is divided in 3 subfamilies: Big, UI and UI Mono. NaN Gothic Big, compact and impactful, is suited for larger text sizes, with its very tight spacing, big x-height. It sports 8 widths with 9 weights each, reaching extremes. It will shine in editorial contexts.

NaN Gothic UI keeps most of the identity but with looser spacing, smaller x-height and more open shapes. Tailored for setting long texts, it’s super legible and works incredibly well at tiny sizes. Its 3 widths allow to fine-tune how much space it occupies.

Version 1.0 – September 2026
Every licensee of the Full Family package will receive every next update for free.

Typeface: NaN Gothic
Designed by NaN
NaN Team: Hugues Gentile, Fanny Hamelin, Fadhl Haqq, Léon Hugues, Jean-Baptiste Morizot, Luke Prowse, Florian Runge
Additional Engineering: Igino Marini
Year: 2026
Languages: Supporting 527 Latin-based languages and 28 Arabic-Based languages
Formats: TTF, WOFF2 (Autohinted)

The NaN Gothic System

Little Flying Elephant
Inoue, a bandleader, drummer, and Electone keyboardist, specialized in leading sing-alongs at nightclubs in Sannomiya, the entertainment district of the city of Kobe. In 1970, he and six bandmates played instruments in fancy drinking establishments to accompany middle-aged businessmen who would sing traditional Japanese songs. He claimed to have first thought of the idea of a karaoke-style machine when he was asked by a prominent client to play for him on an overnight trip to an onsen. Not being able to do so, he instead provided a tape of his accompaniment to the client. Realizing its potential, he thought of merging these pre-taped accompaniments with a jukebox. Lacking the skills to make the machine himself, one of his bandmates introduced him to a friend who owned an electronics shop. He described his idea to him and commissioned 11 home-made machines which he called “8 Juke.” Each machine cost around $425 per unit and consisted of a box containing an amplifier, a microphone, a coin box, and a car stereo which used specially made 8-track tapes.
Death of a shoe horn in Mexico, with a cat…
NaN Gothic Big
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In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive.
NaN Gothic UI
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In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive.
NaN Gothic UI Mono
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In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
Skyscraper Proportions
Chunky
While the term was used in phrases like “post-truth politics” academically and publicly before 2016, in 2016 the term was named Word of the Year by Oxford Dictionaries after the term’s proliferation in the first election of President Trump in the United States and the Brexit referendum in the United Kingdom; Donald Trump has been characterized as engaging in a “war on truth”. Oxford Dictionaries further notes that post-truth was often used as an adjective to signal a distinctive kind of politics.
ENJOYABLE TOKENS OF DUBIOUS PROVENANCE
More information on this subject is available
Python was conceived in the late 1980s by Guido van Rossum at Centrum Wiskunde & Informatica (CWI) in the Netherlands. It was designed as a successor to the ABC programming language, which was inspired by SETL, capable of exception handling and interfacing with the Amoeba operating system. Python implementation began in December 1989. Van Rossum first released it in 1991 as Python 0.9.0. Van Rossum assumed sole responsibility for the project, as the lead developer, until 12 July 2018, when he announced his “permanent vacation” from responsibilities as Python’s “benevolent dictator for life” (BDFL); this title was bestowed on him by the Python community to reflect his long-term commitment as the project’s chief decision-maker. In January 2019, active Python core developers elected a five-member Steering Council to lead the project.
The name Python derives from the British comedy series Monty Python’s Flying Circus.
Python 2.0 was released on 16 October 2000, featuring many new features such as list comprehensions, cycle-detecting garbage collection, reference counting, and Unicode support. Python 2.7’s end-of-life was initially set for 2015, and then postponed to 2020 out of concern that a large body of existing code could not easily be forward-ported to Python 3. It no longer receives security patches or updates. While Python 2.7 and older versions are officially unsupported, a different unofficial Python implementation, PyPy, continues to support Python 2, i.e., 2.7.18+ (plus 3.11), with the plus signifying (at least some) “backported security updates”.
Python 3.0 was released on 3 December 2008, and was a major revision and not completely backward-compatible with earlier versions, with some new semantics and changed syntax. Python 2.7.18, released in 2020, was the last release of Python 2. Several releases in the Python 3.x series have added new syntax to the language, and made a few (considered very minor) backward-incompatible changes.
Joviality
Lysergic Acid Diethylamide* Is An Ergoline Derivative: 5-HT1A (Ki = 1.1 nM), 5-HT2A (Ki = 2.9 nM), 5-HT2B (Ki = 4.9 nM)
OEFENMATCHEN. KV Mechelen klopt Genk,
zuinige zege voor Standard
Rays Center Fielder
No. 947 in Draft, No. 1 in Defense
ANALYSE. Iedereen kijkt
naar Sagan (behalve zijn eigen team)
Mendes vs. McGregor: UFC 189 Main Event Odds,
Predictions and Tale of the Tape
Video: What It’s Like to Face
a 150 M.P.H. Tennis Serve
Giants’ Jason Pierre-Paul Should Be Able to Overcome Loss of Finger, Former Players Say
Orienteering’s Key to Winning:
Not Getting Lost
Boston’s 2024 Olympic Bid Faces Skepticism Despite New Proposal, Poll Finds
“Krijtz”
“Krijtz”
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The Donkey Doesn’t Rush, But It Always Arrives.
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DIE LEIBEIGENSCHAFT WURDE DURCH DIE GEBURT BEGRÜNDET; AUSSCHLAGGEBEND WAR DER STAND DER MUTTER. HATTE EIN WITWER KINDER AUS MEHREREN EHEN, KONNTE DIES SOGAR ZUR WEGNAHME VON KINDERN FÜHREN. FREIE KONNTEN IN UNFREIHEIT GERATEN. DIE „VERJÄHRUNG“ DES FREIEN STANDES TRAT EIN, WENN SICH EIN FREIER IN EINER GEGEND NIEDERLIESS, WO DIE LÄNDLICHE BEVÖLKERUNG LEIBEIGEN WAR. SELBST FREI GEBORENE KINDER WURDEN LEIBEIGEN, WENN IHRE ELTERN NACH DER GEBURT LEIBEIGEN WURDEN.WER SICH ALS FREIER NICHT MEHR WIRTSCHAFTLICH HALTEN KONNTE, KONNTE SICH IN LEIBEIGENSCHAFT BEGEBEN. UM WIRKSAMKEIT ZU ERLANGEN, MUSSTE DIESE ERKLÄRUNG IN EINEM ERGEBEBRIEF SCHRIFTLICH ABGEGEBEN WERDEN.AUCH MASSENEIDE NACH VORGEFERTIGTEN MUSTERN KAMEN VOR, MIT DENEN UNTERTANEN SICH VERPFLICHTETEN, SICH DEM LEIBHERRN MIT LEIB UND GUT NICHT ZU ENTFREMDEN, IN WÜRTTEMBERG 1282/1283 UND 1296/1297, UND IN BASEL 1499. DIE AUFHEBUNG DER LEIBEIGENSCHAFT KONNTE DURCH FREILASSUNG GEGEN ENTGELT UND NACH BELIEBEN DES GUTSHERRN ERFOLGEN.[55] DIE ABWESENHEIT VOM GUT HATTE DIE VERJÄHRUNG DES LEIBEIGENTUMS ZUR FOLGE. BEI LEDIGEN BETRUG DIE FRIST 31 JAHRE, SECHS WOCHEN UND DREI TAGE; BEI VERHEIRATETEN ZEHN JAHRE. IN WÜRTTEMBERG KAM ES IN AUSNAHMEFÄLLEN ZUM AUSTAUSCH VON LEIBEIGENEN ZWISCHEN EINZELNEN LEIBHERREN, INSBESONDERE IN ANGRENZENDEN TERRITORIEN. EIN WECHSEL KAM AUCH AUF INITIATIVE VON LEIBEIGENEN VOR, MEIST WENN SIE HEIRATEN UND DESHALB WEGZIEHEN WOLLTEN, ABER KEIN GELD FÜR EINEN FREIKAUF HATTEN. LEIBEIGENE KONNTEN MIT GÜTERN UND AUCH EINZELN VERKAUFT WERDEN.
Ratings!
How The Habit of Rating Every Single one of our Experiences Spoils the Pleasure of Living Said Experiences
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction).
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction).
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction).
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
حساب التفاضل والتكامل
غايوس يوليوس قيصر (باللاتينية: CAIVS-IVLIVS-CAESAR-IV)
سان فرانسيسكو (بالإنجليزية: San Francisco) بشكل رسمي مدينة ومقاطعة سان فرانسيسكو في ولاية كاليفورنيا الأمريكية والمعروفة بالعامية باسم إس إف، سان فران، فريسكو، المدينة (The City)، هي المركز الثقافي والتجاري والمالي لشمال كاليفورنيا. سان فرانسيسكو هي المدينة رقم 15 من حيث عدد السكان في الولايات المتحدة، والرابعة في ولاية كاليفورنيا، إذ بلغ عدد سكانها 883,305 نسمة عام 2018. تغطي مساحة تبلغ نحو 46,89 ميل مربع (121,4 كيلومتر مربع)، معظمها في الطرف الشمالي من شبه جزيرة سان فرانسيسكو في منطقة خليج سان فرانسيسكو، ما يجعلها ثاني أكبر مدينة أمريكية كبيرة من حيث الكثافة السكانية، وخامس مقاطعة أمريكية كثافة سكانية، بعد أربعة فقط من أقاليم مدينة نيويورك الخمسة. تأتي سان فرانسيسكو في المرتبة الثانية عشر كأكبر منطقة حضرية إحصائية في الولايات المتحدة من حيث عدد السكان، إذ يبلغ عدد سكانها 4,7 مليون نسمة، ورابع أكبر منطقة من حيث الناتج الاقتصادي، حيث بلغ الناتج المحلي الإجمالي 549 مليار دولار في عام 2018. مع سان خوسيه، فإنها تشكل خامس أكبر المناطق الإحصائية المشتركة من حيث عدد السكان في الولايات المتحدة، وهي المنطقة الإحصائية المجمعة في كاليفورنيا (California) المكونة من سان خوسيه – سان فرانسيسكو – أوكلاند (9.67 مليون نسمة في عام 2018).
حساب التفاضل والتكامل
ميثاق الأمم المتحدة (United Nations Charter) هو المعاهدة التأسيسية للأمم المتحدة والتي هي منظمة حكومية دولية. يحدد الأغراض وهيكل الإدارة والإطار العام لمنظومة الأمم المتحدة، بما في ذلك أجهزتها الرئيسية الستة: الأمانة العامة، والجمعية العامة، ومجلس الأمن، والمجلس الاقتصادي والاجتماعي، ومحكمة العدل الدولية، ومجلس الوصاية. إن ميثاق الأمم المتحدة يكلف الأمم المتحدة والدول الأعضاء فيها بصون السلم والأمن الدوليين، ودعم القانون الدولي، وتحقيق «مستويات معيشية أفضل» Better Living Standard لمواطنيها، ومعالجة «المشاكل الاقتصادية والاجتماعية والصحية وما يتصل بها»، وتعزيز «الاحترام العالمي لحقوق الإنسان والحريات الأساسية للجميع ومراعاتها دون تمييز بسبب العرق أو الجنس أو اللغة أو الدين». بوصفه ميثاقا ومعاهدة تأسيسية، فإن قواعده والتزاماته ملزمة لجميع الأعضاء وتحل محل قواعد والتزامات المعاهدات الأخرى.
ميثاق الأمم المتحدة (United Nations Charter) هو المعاهدة التأسيسية للأمم المتحدة والتي هي منظمة حكومية دولية. يحدد الأغراض وهيكل الإدارة والإطار العام لمنظومة الأمم المتحدة، بما في ذلك أجهزتها الرئيسية الستة: الأمانة العامة، والجمعية العامة، ومجلس الأمن، والمجلس الاقتصادي والاجتماعي، ومحكمة العدل الدولية، ومجلس الوصاية. إن ميثاق الأمم المتحدة يكلف الأمم المتحدة والدول الأعضاء فيها بصون السلم والأمن الدوليين، ودعم القانون الدولي، وتحقيق «مستويات معيشية أفضل» Better Living Standard لمواطنيها، ومعالجة «المشاكل الاقتصادية والاجتماعية والصحية وما يتصل بها»، وتعزيز «الاحترام العالمي لحقوق الإنسان والحريات الأساسية للجميع ومراعاتها دون تمييز بسبب العرق أو الجنس أو اللغة أو الدين». بوصفه ميثاقا ومعاهدة تأسيسية، فإن قواعده والتزاماته ملزمة لجميع الأعضاء وتحل محل قواعد والتزامات المعاهدات الأخرى.
“ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@
“ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@
“ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@

Variable Font Preview

SoftGag
Journaling
KeyMetric

Selected Opentype Features

“Möri” Round Dots
Badger Schoolbook -a-
Rugs Single Storey -g-
Retaliation Tailed -t-
Huge Buns Schoolbook -u-
Trajan Tailed -j-
Allotment Sweep -l-
Eyes Tailed -y-
OBJECT Tailed -J-
Bygone Schoolbook -y-
Thefft Ligatures
EQUS Stacking -Q-
#45918 Tabular Figures and Currencies
49.3 Black Circled Figures
BIli10Oof! Accessibility Set

Samples

NaN Gothic Big Compressed – Black Backslant La nuit est le moment magique en fin de journée
NaN Gothic Big Compressed – Medium Aik Htun, born on 10 October 1948 in Mongkai
NaN Gothic Big Compressed – Thin Italic It's always darkest before you're blinded
NaN Gothic Big Standard – Black Backslant Mainframe Unendurable
NaN Gothic Big Standard – Medium Another Moon – Kimchi and Chips
NaN Gothic Big Standard – Thin Italic 10Y YIELD UP 10BPS TO 2.65%
NaN Gothic Big UltraWide – Black Backslant Zoroaster
NaN Gothic Big UltraWide – Medium “Black Suits Comin’
NaN Gothic Big UltraWide – Thin Italic doi:10.1016/S0014
NaN Gothic UI Condensed – Black Sein Vater war Håkon Jarl Sigurdsson
NaN Gothic UI Narrow – Medium [email protected]
NaN Gothic UI Standard – ExtraLight @hash {'ME','
NaN Gothic UI Mono – Black (12 Oct. 1875 — 7 Nov. 1942)
NaN Gothic UI Mono – Medium Italic Errata (Korrekturverzeichnis)
NaN Gothic UI Mono – ExtraLight It deosn’t mttaer in waht oredr
NaN Gothic Big Arabic Compressed – Black لكنه دائما يصل مهما طالت الرحلة
NaN Gothic Big Arabic Standard – Medium حتى السمكة تبدو وكأنها
NaN Gothic Big Arabic UltraWide – Thin مهما طالت الرحلة
NaN Gothic UI Arabic Standard – Black لكنه دائما يصل مهما طالت الرحلة
NaN Gothic UI Arabic Standard – Medium حتى السمكة تبدو وكأنها
NaN Gothic UI Arabic Standard – ExtraLight مهما طالت الرحلة

Styles

  • NaN Gothic Big Standard Semibold Backslant
  • NaN Gothic Big Standard Backslant
  • NaN Gothic Big Standard Thin Backslant
  • NaN Gothic Big Standard Bold Backslant
  • NaN Gothic Big Standard Black Backslant
  • NaN Gothic Big Standard ExtraLight Backslant
  • NaN Gothic Big Standard ExtraBold Backslant
  • NaN Gothic Big Standard Thin Italic
  • NaN Gothic Big Standard Medium Backslant
  • NaN Gothic Big Standard Light Backslant
  • NaN Gothic Big Standard Thin
  • NaN Gothic Big Standard ExtraLight
  • NaN Gothic Big Standard ExtraLight Italic
  • NaN Gothic Big Standard Light
  • NaN Gothic Big Standard Light Italic
  • NaN Gothic Big Standard Regular
  • NaN Gothic Big Standard Italic
  • NaN Gothic Big Standard Medium
  • NaN Gothic Big Standard Medium Italic
  • NaN Gothic Big Standard Semibold
  • NaN Gothic Big Standard Semibold Italic
  • NaN Gothic Big Standard Bold
  • NaN Gothic Big Standard Bold Italic
  • NaN Gothic Big Standard ExtraBold
  • NaN Gothic Big Standard ExtraBold Italic
  • NaN Gothic Big Standard Black
  • NaN Gothic Big Standard Black Italic
  • NaN Gothic UI Standard ExtraLight
  • NaN Gothic UI Standard ExtraLight Italic
  • NaN Gothic UI Standard Light
  • NaN Gothic UI Standard Light Italic
  • NaN Gothic UI Standard Regular
  • NaN Gothic UI Standard Italic
  • NaN Gothic UI Standard Medium
  • NaN Gothic UI Standard Medium Italic
  • NaN Gothic UI Standard Semibold
  • NaN Gothic UI Standard Semibold Italic
  • NaN Gothic UI Standard Bold
  • NaN Gothic UI Standard Bold Italic
  • NaN Gothic UI Standard ExtraBold
  • NaN Gothic UI Standard ExtraBold Italic
  • NaN Gothic UI Standard Black
  • NaN Gothic UI Standard Black Italic
  • NaN Gothic UI Mono ExtraLight
  • NaN Gothic UI Mono ExtraLight Italic
  • NaN Gothic UI Mono Light
  • NaN Gothic UI Mono Light Italic
  • NaN Gothic UI Mono Regular
  • NaN Gothic UI Mono Italic
  • NaN Gothic UI Mono Medium
  • NaN Gothic UI Mono Medium Italic
  • NaN Gothic UI Mono Semibold
  • NaN Gothic UI Mono Semibold Italic
  • NaN Gothic UI Mono Bold
  • NaN Gothic UI Mono Bold Italic
  • NaN Gothic UI Mono ExtraBold
  • NaN Gothic UI Mono ExtraBold Italic
  • NaN Gothic UI Mono Black
  • NaN Gothic UI Mono Black Italic

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Select Gothic

NaN Gothic Big Compressed Subfamily Per Style ⁘ 40
NaN Gothic Big Compressed Subfamily Per Style ⁘ 40
NaN Gothic Big UltraCondensed Subfamily Per Style ⁘ 40
NaN Gothic Big UltraCondensed Subfamily Per Style ⁘ 40
NaN Gothic Big X-Condensed Subfamily Per Style ⁘ 40
NaN Gothic Big X-Condensed Subfamily Per Style ⁘ 40
NaN Gothic Big Condensed Subfamily Per Style ⁘ 40
NaN Gothic Big Condensed Subfamily Per Style ⁘ 40
NaN Gothic Big Narrow Subfamily Per Style ⁘ 40
NaN Gothic Big Narrow Subfamily Per Style ⁘ 40
NaN Gothic Big Standard Subfamily Per Style ⁘ 40
NaN Gothic Big Standard Subfamily Per Style ⁘ 40
NaN Gothic Big Wide Subfamily Per Style ⁘ 40
NaN Gothic Big Wide Subfamily Per Style ⁘ 40
NaN Gothic Big UltraWide Subfamily Per Style ⁘ 40
NaN Gothic Big UltraWide Subfamily Per Style ⁘ 40
NaN Gothic UI Condensed Subfamily Per Style ⁘ 40
NaN Gothic UI Condensed Subfamily Per Style ⁘ 40
NaN Gothic UI Narrow Subfamily Per Style ⁘ 40
NaN Gothic UI Narrow Subfamily Per Style ⁘ 40
NaN Gothic UI Standard Subfamily Per Style ⁘ 40
NaN Gothic UI Standard Subfamily Per Style ⁘ 40
NaN Gothic UI Mono Subfamily Per Style ⁘ 40

Select Your Font License

1. License Type

Our Commercial License is based on a perpetual, worry-free model with no surprise costs. The key metric we use is the end-user’s company size as measured by employee count. Agencies are allowed to buy and use fonts on behalf of their end-user clients.

Our Pitch License offers access to complete, full-featured fonts for internal trial and pitch purposes only at a 70% discount. This allows you to test-drive and present our fonts in your mockups before project sign-off.

We offer an 80% discount to students and educators. Students may use licensed fonts for both school projects and commercial ones during and after their studies, as long as they work for companies with less than 6 employees. No I.D required, we trust you.

Our Charity and Social Enterprise License offers everything that our Commercial one does but for a 50% discount. The licensee must be a registered charity, non-profit or social enterprise.

2. Covered usages

3. Company Name
[?]
End-user company name including client or organisation / student. The company or organisation making final use of the fonts for its communication. The agency or studio is only a sub-contractor. By using the fonts, this company agrees to the license terms.

4. Company Size
[?]
This is the number of people who work for the end-user company (employees and sub-contractors combined). External designers or agencies working on behalf of the end-user should be included. Any freelancer or sub-contractor working more than half of their time for the Licensee for a duration of minimum 3 months should be counted in their employee number.

Licensee →

The licensee is the company or organisation making final use of the fonts for its communication. The agency or design team is a sub-contractor and should be included in the Licensee’s employee count.

Read our EULA

Company Size →

This is the number of people working for the company (employees, designers and sub-contractors combined).

Any doubts or questions? Read our F.A.Q.

Pricing Model →

Our pricing model is based on the size of the Licensee’s company. The price increases with the size of the company. Our pricing model also takes into account the Licensee’s country of residence to adjust the price in a fairer way.

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