About NaN Tresor

In life and to some extent when designing fonts we are confronted with a choice our survival depends on. NaN Tresor’s designer Christoph Koeberlin made the innovative decision — for his own survival — to make no final decision. He offers an anachronous revival, side-stepping natural selection (sorry Darwin), where every glyph variation somehow flourishes in one font.

When reviving historical material one can’t help but rationalise our elders’ inconsistencies. We typically choose one unique structure for each form that is then consistently applied across the design system. Koeberlin made a counter-intuitive decision and birthed a family offering the most historical and fictional variations in structure possible between the different styles of his typeface. This has an interesting outcome for NaN Tresor’s users: navigating through the different styles they can choose the glyph variations they like the most, or even access all different versions from each style, no matter what the default curation.

Tresor is available in three optical sizes: NaN Tresor S with its wider spacing and thin joins is most suited to small sizes and longer form reading. Tresor M has an equitable spacing which makes it shine at most scales. Tresor L with its particularly tight packing lands with the most exuberant alternates by default and is tailored for titles with panache. Licensees of the Complete Family will discover Tresor Swash as an alternative version of Tresor L with ornamental caps and swashes activated by default.

With its sometime eight alternates per glyph plus swashes, a single style of NaN Tresor can take on many different faces. So if your survival-depending decision gives you the bends, just choose the no-choice pro-choice choice of NaN Tresor.

Typeface: NaN Tresor
Designer: Christoph Koeberlin
Year: 2018-2022
Languages: Supporting 420 latin based languages
Formats: TTF, WOFF2 (Autohinted)

▽ Download PDF Specimen

0

You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday, and my first task is to assure my dear sister of my welfare and increasing confidence in the success of my undertaking.

I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is for ever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There—for with your leave, my sister, I will put some trust in preceding navigators—there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent for ever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.

“Steampunk is dead” announces George Miller

Rumors of Predator hunting type revivals

I

Erhabener Geist, im Geisterreich verloren!

Wo immer Deine lichte Wohnung sey,
Zum höh'ren Schaffen bist Du neugeboren,
Und singest dort die voll're Litanei.
Von jenem Streben das Du auserkoren,
Vom reinsten Aether, drin Du athmest frei,
O neige Dich zu gnädigem Erwiedern
Des letzten Wiederhalls von Deinen Liedern!

II

Den alten Musen die bestäubten Kronen

Nahmst Du, zu neuem Glanz, mit kühner Hand:
Du löst die Räthsel ältester Aeonen
Durch jüngeren Glauben, helleren Verstand,
Und machst, wo rege Menschengeister wohnen,
Die ganze Erde Dir zum Vaterland;
Und Deine Jünger sehn in Dir, verwundert,
Verkörpert schon das werdende Jahrhundert.

III

Was Du gesungen, Aller Lust und Klagen,

Des Lebens Wiedersprüche, neu vermählt,—
Die Harfe tausendstimmig frisch geschlagen,
Die Shakspeare einst, die einst Homer gewählt,—
Darf ich in fremde Klänge übertragen
Das Alles, wo so Mancher schon gefehlt?
Lass Deinen Geist in meiner Stimme klingen,
Und was Du sangst, lass mich es Dir nachsingen!

Again ye come, ye hovering Forms! I find ye,

As early to my clouded sight ye shone!
Shall I attempt, this once, to seize and bind ye?
Still o'er my heart is that illusion thrown?
Ye crowd more near! Then, be the reign assigned ye,
And sway me from your misty, shadowy zone!
My bosom thrills, with youthful passion shaken,
From magic airs that round your march awaken.

TRANSHUMANIST BORED AFTER BREAKING AGE WORLD RECORD FOR 137 YEARS IN A ROW

«There's Something Out There Waiting For Us, And It Ain't No Man. We're All Gonna Die.» Predator, 1987

In the next decade Howard Ruff warned about socio-economic collapse in his 1974 book Famine and Survival in America. Ruff's book was published during a period of rampant inflation in the wake of the 1973 oil crisis. Most of the elements of survivalism can be found there, including advice on food storage. The book championed the claim that precious metals, such as gold and silver, have an intrinsic worth that makes them more usable in the event of a socioeconomic collapse than fiat currency. Ruff later published milder variations of the same themes, such as How to Prosper During the Coming Bad Years, a best-seller in 1979. Firearms instructor and survivalist Colonel Jeff Cooper wrote on hardening retreats against small arms fire. In an article titled “Notes on Tactical Residential Architecture” in Issue #30 of P.S. Letter (April 1982), Cooper suggested using the “Vauban Principle”, whereby projecting bastion corners would prevent miscreants from being able to approach a retreat's exterior walls in any blind spots. Corners with this simplified implementation of a Vauban Star are now called “Cooper Corners” by James Wesley Rawles, in honor of Jeff Cooper. Depending on the size of the group needing shelter, design elements of traditional European castle architecture, as well as Chinese Fujian Tulou and Mexican walled courtyard houses, have been suggested for survival retreats.

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The Sotāpanna (Stream-enterer) - Still has up to seven rebirths left

Temperature – tardigrades can survive:
A few minutes at 151 °C (304 °F) | 30 years at −20 °C (−4 °F) | A few days at −200 °C (−328 °F; 73 K) | A few minutes at −272 °C (−458 °F; 1 K)

In the next decade Howard Ruff warned about socio-economic collapse in his 1974 book Famine and Survival in America. Ruff's book was published during a period of rampant inflation in the wake of the 1973 oil crisis. Most of the elements of survivalism can be found there, including advice on food storage. The book championed the claim that precious metals, such as gold and silver, have an intrinsic worth that makes them more usable in the event of a socioeconomic collapse than fiat currency. Ruff later published milder variations of the same themes, such as How to Prosper During the Coming Bad Years, a best-seller in 1979. Firearms instructor and survivalist Colonel Jeff Cooper wrote on hardening retreats against small arms fire. In an article titled “Notes on Tactical Residential Architecture” in Issue #30 of P.S. Letter (April 1982), Cooper suggested using the “Vauban Principle”, whereby projecting bastion corners would prevent miscreants from being able to approach a retreat's exterior walls in any blind spots. Corners with this simplified implementation of a Vauban Star are now called “Cooper Corners” by James Wesley Rawles, in honor of Jeff Cooper. Depending on the size of the group needing shelter, design elements of traditional European castle architecture, as well as Chinese Fujian Tulou and Mexican walled courtyard houses, have been suggested for survival retreats.

“Firstborn from the dead,” prōtotokos, the first to be raised from the dead, and thereby acquiring the “special status of the firstborn as the preeminent son and heir.”

THE LORD === THE HEAVENLY HOST Afterwards MEPHISTOPHELES (The THREE ARCHANGELS come forward.)

Shiryou Sensen: War of the Dead, a 1987 title developed by Fun Factory and published by Victor Music Industries for the MSX2, PC-88 and PC Engine platforms, is considered the first true survival horror game by Kevin Gifford (of GamePro and 1UP) and John Szczepaniak (of Retro Gamer and The Escapist). Designed by Katsuya Iwamoto, the game was a horror action RPG revolving around a female SWAT member Lila rescuing survivors in an isolated monster-infested town and bringing them to safety in a church. It has open environments like Dragon Quest and real-time side-view battles like Zelda II, though War of the Dead departed from other RPGs with its dark and creepy atmosphere expressed through the storytelling, graphics, and music. The player character has limited ammunition, though the player character can punch or use a knife if out of ammunition. The game also has a limited item inventory and crates to store items, and introduced a day-night cycle; the player can sleep to recover health, and a record is kept of how many days the player has survived. In 1988, War of the Dead Part 2 for the MSX2 and PC-88 abandoned the RPG elements of its predecessor, such as random encounters, and instead adopted action-adventure elements from Metal Gear while retaining the horror atmosphere of its predecessor.

The resurrection of the dead is a standard eschatological belief in the Abrahamic religions. As a religious concept, it is used in two distinct respects: a belief in the resurrection of individual souls that is current and ongoing (Christian idealism, realized eschatology), or else a belief in a singular resurrection of the dead at the end of the world. Some believe the soul is the actual vehicle by which people are resurrected.

“ABCDEFGHIJKLMNOPQRSẞTUVWXYZ”
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#0123456789
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:-)

“ABCDEFGHIJKLMNOPQRSẞTUVWXYZ”
abcdefghijklmnopqrsßtuvwxyz
#0123456789
!?&%@({†*
:-)

“ABCDEFGHIJKLMNOPQRSẞTUVWXYZ”
abcdefghijklmnopqrsßtuvwxyz
#0123456789
!?&%@({†*
:-)

“ABCDEFGHIJKLMNOPQRSẞTUVWXYZ”
abcdefghijklmnopqrsßtuvwxyz
#0123456789
!?&%@({†*
:-)

Selected Opentype Features

Paraguay Contrast
ÜRBÄNÖR Titelsatz-Umlaute
Uranium34 Inferiors
kumquat veteran Swash
Old New Gear Contextual Swash

Samples

NaN Tresor L Bold ¿why-the-imago-dei-image-of-god-shuts-the-door?
NaN Tresor L Semibold Miller, William (2017-02-06). “Tardigrades”
NaN Tresor L Regular 122 YEARS 164 DAYS, THE CASE OF JEANNE CALMENT
NaN Tresor L Light #Artificial_Itelligence_And_Moral_Issues
NaN Tresor L ExtraLight The passing of Chinese Chan master
NaN Tresor M Bold 10Y YIELD UP 10BPS TO 2.65%
NaN Tresor M Semibold Peptides: such as MOTS-c
NaN Tresor M Regular doi:10.1016/S0014-5793(03)01062-7. ISSN 1873-3468. PMID 14572656
NaN Tresor M Light Writer(s): Kenichi Iwao & Yasuyuki Saga
NaN Tresor M ExtraLight Data suggesting negative long-term brain impacts
NaN Tresor S Bold Microchipping kids? They’re not pets
NaN Tresor S Semibold Jesus Appears to His Disciples
NaN Tresor S Regular Simon, Matt (21 March 2014) >> #547eDs8
NaN Tresor S Light 12:27 PM · Apr 6, 2022 · TweetDeck
NaN Tresor S ExtraLight /wiki/Distance#Geometry
NaN Tresor Swash ExtraLight “Black Suits Comin’ (Nod Ya Head)”
NaN Tresor Swash Light Patrick Hernandez 1978 → Born to Be Alive
NaN Tresor Swash Regular THESE GENERAL TERMS AND CONDITIONS
NaN Tresor Swash Semibold Lat: 25° 00' 0.00" N Long: -71° 00' 0.00" W
NaN Tresor Swash Bold Mikhail Gorbachev - 91 - Former Soviet leader

Styles

  • NaN Tresor L ExtraLight
  • NaN Tresor L Light
  • NaN Tresor L Regular
  • NaN Tresor L Semibold
  • NaN Tresor L Bold
  • NaN Tresor M ExtraLight
  • NaN Tresor M Light
  • NaN Tresor M Regular
  • NaN Tresor M Semibold
  • NaN Tresor M Bold
  • NaN Tresor S ExtraLight
  • NaN Tresor S Light
  • NaN Tresor S Regular
  • NaN Tresor S Semibold
  • NaN Tresor S Bold
  • NaN Tresor Swash ExtraLight
  • NaN Tresor Swash Light
  • NaN Tresor Swash Regular
  • NaN Tresor Swash Semibold
  • NaN Tresor Swash Bold

Variable Font Included

Soylent Grün 3000

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We offer one license in three different sizes depending on the relative metrics of the final Licensee (the end-client). Should the end-client exceed ANY of the indicated metrics in one license type they are required to select the license size above.

Free updates: All purchases of <S>, <M> or <L> Family licenses grant you free access to future updates such as new scripts and styles, the licensed font might receive.
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Note: NaN Tresor Swash versions are included for free in all orders of the NaN Tresor Complete Family.

 

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  • S

    • 1 to 3 users
      [?]
      LICENSES ARE ATTRIBUTED PER EACH PERSON WHO USES THE FONT
    • 1 domain <20k
      [?]
      CALCULATED AS THE MAXIMUM NUMBER OF PAGE VIEWS PER MONTH
    • 1 app or game <5k
      [?]
      THE TOTAL NUMBER OF APP DOWNLOADS THE FONT MAY BE EMBEDDED WITHIN
    • Social media <20k
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      THE TOTAL NUMBER OF FOLLOWERS ACROSS ALL YOUR SOCIAL MEDIA CHANNELS
    • Logo use ✓
      [?]
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    €500
  • M

    • 4 to 8 users
      [?]
      LICENSES ARE ATTRIBUTED PER EACH PERSON WHO USES THE FONT
    • 1 domain <80k
      [?]
      CALCULATED AS THE MAXIMUM NUMBER OF PAGE VIEWS PER MONTH
    • 1 app or game <50k
      [?]
      THE TOTAL NUMBER OF APP DOWNLOADS THE FONT MAY BE EMBEDDED WITHIN
    • Social media <50k
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      THE TOTAL NUMBER OF FOLLOWERS ACROSS ALL YOUR SOCIAL MEDIA CHANNELS
    • Logo use ✓
      [?]
      WE PERMIT THE USE OF OUR FONTS WITHIN A LOGO
    • Video use ✓ excl. TV/Streaming/VOD
      [?]
      WE PERMIT THE USE OF OUR FONTS WITHIN VIDEO OR FILM WORK
    €1250
  • L

    • 9 to 15 users
      [?]
      LICENSES ARE ATTRIBUTED PER EACH PERSON WHO USES THE FONT
    • 1 domain <250k
      [?]
      CALCULATED AS THE MAXIMUM NUMBER OF PAGE VIEWS PER MONTH
    • 1 app or game <200k
      [?]
      THE TOTAL NUMBER OF APP DOWNLOADS THE FONT MAY BE EMBEDDED WITHIN
    • Social media <250k
      [?]
      THE TOTAL NUMBER OF FOLLOWERS ACROSS ALL YOUR SOCIAL MEDIA CHANNELS
    • Logo use ✓
      [?]
      WE PERMIT THE USE OF OUR FONTS WITHIN A LOGO
    • Video and broadcast use ✓
      [?]
      WE PERMIT THE USE OF OUR FONTS WITHIN VIDEO OR FILM WORK
    • 1 server use ✓
      [?]
      WE ALLOW EMBEDDING OF OUR FONTS ON IN A WEB SERVER OR A CMS FOR THE DYNAMIC GENERATION OF ANALOG AND DIGITAL DOCUMENTS
    €4000
  • XL

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