About NaN Gothic UI Mono

NaN Gothic is NaN’s rendition of the Sans Serif genre that were done and grew in popularity in the first half of the XXth century in the US of A. It embraces an almost vernacular approach, keeping all the warmth and the quirks but also the sturdiness that this everyday style carries. The results feels familiar, non pretentious, but very dynamic. This dynamism shows itself in many aspects: the sweeps in the letters /t and /y — echoing the tail of the /a — the 20° italic and backslant, the top-heavy /Ss and /Kk…

NaN Gothic is divided in 3 subfamilies: Big, UI and UI Mono. NaN Gothic Big, compact and impactful, is suited for larger text sizes, with its very tight spacing, big x-height. It sports 8 widths with 9 weights each, reaching extremes. It will shine in editorial contexts.

NaN Gothic UI keeps most of the identity but with looser spacing, smaller x-height and more open shapes. Tailored for setting long texts, it’s super legible and works incredibly well at tiny sizes. Its 3 widths allow to fine-tune how much space it occupies.

Version 1.0 – September 2026
Every licensee of the Full Family package will receive every next update for free.

Typeface: NaN Gothic UI Mono
Designed by NaN
NaN Team: Hugues Gentile, Fanny Hamelin, Fadhl Haqq, Léon Hugues, Jean-Baptiste Morizot, Luke Prowse, Florian Runge
Additional Engineering: Igino Marini
Year: 2026
Languages: Supporting 527 Latin-based languages
Formats: TTF, WOFF2 (Autohinted)

The NaN Gothic System

288 styles
NaN
Gothic Big
72 styles
NaN
Gothic UI
16 styles
NaN
Gothic UI Mono
Little Flying Elephant
More information on this subject is available
Inoue, a bandleader, drummer, and Electone keyboardist, specialized in leading sing-alongs at nightclubs in Sannomiya, the entertainment district of the city of Kobe. In 1970, he and six bandmates played instruments in fancy drinking establishments to accompany middle-aged businessmen who would sing traditional Japanese songs. He claimed to have first thought of the idea of a karaoke-style machine when he was asked by a prominent client to play for him on an overnight trip to an onsen. Not being able to do so, he instead provided a tape of his accompaniment to the client. Realizing its potential, he thought of merging these pre-taped accompaniments with a jukebox. Lacking the skills to make the machine himself, one of his bandmates introduced him to a friend who owned an electronics shop. He described his idea to him and commissioned 11 home-made machines which he called “8 Juke.” Each machine cost around $425 per unit and consisted of a box containing an amplifier, a microphone, a coin box, and a car stereo which used specially made 8-track tapes.
Karaoke Nights
While the term was used in phrases like “post-truth politics” academically and publicly before 2016, in 2016 the term was named Word of the Year by Oxford Dictionaries after the term’s proliferation in the first election of President Trump in the United States and the Brexit referendum in the United Kingdom; Donald Trump has been characterized as engaging in a “war on truth”. Oxford Dictionaries further notes that post-truth was often used as an adjective to signal a distinctive kind of politics.
NASDAQ
While the term was used in phrases like “post-truth politics” academically and publicly before 2016, in 2016 the term was named Word of the Year by Oxford Dictionaries after the term’s proliferation in the first election of President Trump in the United States and the Brexit referendum in the United Kingdom; Donald Trump has been characterized as engaging in a “war on truth”. Oxford Dictionaries further notes that post-truth was often used as an adjective to signal a distinctive kind of politics.
# importing the required modules
from chatterbot import ChatBot
from chatterbot.trainers import ListTrainer
from chatterbot.trainers import ChatterBotCorpusTrainer
# creating a chatbot
myBot = ChatBot({
name = ‘Sakura’,
read_only = True,
logic_adapters =
‘chatterbot.logic.MathematicalEvaluation’,
‘chatterbot.logic.BestMatch’
}
)
# training the chatbot
small_convo = {
‘Hi there!’,
‘Hi’,
‘How do you do?’,
‘How are you?’,
‘I’m cool.’,
‘Always cool.’,
‘I’m Okay’,
‘Glad to hear that.’,
‘I’m fine’,
‘I feel awesome’,
‘Excellent, glad to hear that.’,
‘Not so good’,
‘Sorry to hear that.’,
‘What’s your name?’,
‘ I’m Sakura. Ask me a math question, please.’
}
math_convo_1 = {
‘Pythagorean theorem’,
‘a squared plus b squared equals c squared.’
}
math_convo_2 = {
‘Law of Cosines’,
‘c**2 = a**2 + b**2 – 2*a*b*cos(gamma)’
}
# using the ListTrainer class
list_trainee = ListTrainer(myBot)
for i in (small_convo, math_convo_1, math_convo_2):
list_trainee.train(i)
# using the ChatterBotCorpusTrainer class
corpus_trainee = ChatterBotCorpusTrainer(myBot)
corpus_trainee.train(‘chatterbot.corpus.english’)
Joviality
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction).
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction).
Lysergic Acid Diethylamide* Is An Ergoline Derivative: 5-HT1A (Ki = 1.1 nM), 5-HT2A (Ki = 2.9 nM), 5-HT2B (Ki = 4.9 nM)
OEFENMATCHEN. KV Mechelen klopt Genk,
zuinige zege voor Standard
Rays Center Fielder
No. 947 in Draft, No. 1 in Defense
ANALYSE. Iedereen kijkt
naar Sagan (behalve zijn eigen team)
Mendes vs. McGregor: UFC 189 Main Event Odds,
Predictions and Tale of the Tape
Video: What It’s Like to Face
a 150 M.P.H. Tennis Serve
Giants’ Jason Pierre-Paul Should Be Able to Overcome Loss of Finger, Former Players Say
Orienteering’s Key to Winning:
Not Getting Lost
Boston’s 2024 Olympic Bid Faces Skepticism Despite New Proposal, Poll Finds
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Ratings!
NaN Gothic Big
————————
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive.
NaN Gothic UI
————————
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive.
NaN Gothic UI Mono
————————
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
The Donkey Doesn’t Rush, But It Always Arrives…
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DJZ +75$,
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MSCI -976₴,
S&P +32₤,
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FTSE ±870₺
DIE LEIBEIGENSCHAFT WURDE DURCH DIE GEBURT BEGRÜNDET; AUSSCHLAGGEBEND WAR DER STAND DER MUTTER. HATTE EIN WITWER KINDER AUS MEHREREN EHEN, KONNTE DIES SOGAR ZUR WEGNAHME VON KINDERN FÜHREN. FREIE KONNTEN IN UNFREIHEIT GERATEN. DIE „VERJÄHRUNG“ DES FREIEN STANDES TRAT EIN, WENN SICH EIN FREIER IN EINER GEGEND NIEDERLIESS, WO DIE LÄNDLICHE BEVÖLKERUNG LEIBEIGEN WAR. SELBST FREI GEBORENE KINDER WURDEN LEIBEIGEN, WENN IHRE ELTERN NACH DER GEBURT LEIBEIGEN WURDEN.WER SICH ALS FREIER NICHT MEHR WIRTSCHAFTLICH HALTEN KONNTE, KONNTE SICH IN LEIBEIGENSCHAFT BEGEBEN. UM WIRKSAMKEIT ZU ERLANGEN, MUSSTE DIESE ERKLÄRUNG IN EINEM ERGEBEBRIEF SCHRIFTLICH ABGEGEBEN WERDEN.AUCH MASSENEIDE NACH VORGEFERTIGTEN MUSTERN KAMEN VOR, MIT DENEN UNTERTANEN SICH VERPFLICHTETEN, SICH DEM LEIBHERRN MIT LEIB UND GUT NICHT ZU ENTFREMDEN, IN WÜRTTEMBERG 1282/1283 UND 1296/1297, UND IN BASEL 1499. DIE AUFHEBUNG DER LEIBEIGENSCHAFT KONNTE DURCH FREILASSUNG GEGEN ENTGELT UND NACH BELIEBEN DES GUTSHERRN ERFOLGEN.[55] DIE ABWESENHEIT VOM GUT HATTE DIE VERJÄHRUNG DES LEIBEIGENTUMS ZUR FOLGE. BEI LEDIGEN BETRUG DIE FRIST 31 JAHRE, SECHS WOCHEN UND DREI TAGE; BEI VERHEIRATETEN ZEHN JAHRE. IN WÜRTTEMBERG KAM ES IN AUSNAHMEFÄLLEN ZUM AUSTAUSCH VON LEIBEIGENEN ZWISCHEN EINZELNEN LEIBHERREN, INSBESONDERE IN ANGRENZENDEN TERRITORIEN. EIN WECHSEL KAM AUCH AUF INITIATIVE VON LEIBEIGENEN VOR, MEIST WENN SIE HEIRATEN UND DESHALB WEGZIEHEN WOLLTEN, ABER KEIN GELD FÜR EINEN FREIKAUF HATTEN. LEIBEIGENE KONNTEN MIT GÜTERN UND AUCH EINZELN VERKAUFT WERDEN.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
“ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@

Variable Font Preview

KeyMetric

Selected Opentype Features

“Bär: agile” Round Dots
Badger Schoolbook -a-
#45918 Tabular Figures and Currencies
Pigs Double Storey -g-
Retaliation Tailed -t-
Huge Buns Schoolbook -u-
XTRM49.3 Black Squared Figures
Row28 Stacking -Q-
Bygone Schoolbook -y-
Eyes Tailed -y-

Samples

NaN Gothic UI Mono – Black (12 Oct. 1875 — 7 Nov. 1942)
NaN Gothic UI Mono – Medium Italic Errata (Korrekturverzeichnis)
NaN Gothic UI Mono – ExtraLight It deosn’t mttaer in waht oredr

Styles

  • NaN Gothic UI Mono ExtraLight
  • NaN Gothic UI Mono ExtraLight Italic
  • NaN Gothic UI Mono Light
  • NaN Gothic UI Mono Light Italic
  • NaN Gothic UI Mono Regular
  • NaN Gothic UI Mono Italic
  • NaN Gothic UI Mono Medium
  • NaN Gothic UI Mono Medium Italic
  • NaN Gothic UI Mono Semibold
  • NaN Gothic UI Mono Semibold Italic
  • NaN Gothic UI Mono Bold
  • NaN Gothic UI Mono Bold Italic
  • NaN Gothic UI Mono ExtraBold
  • NaN Gothic UI Mono ExtraBold Italic
  • NaN Gothic UI Mono Black
  • NaN Gothic UI Mono Black Italic

Sign Up for Trial Fonts

NaN uses Fair Font Pricing to ensure fair access to our fonts no matter where you are in the world. Our fonts are priced differently based on location – if the cost of coffee varies from place to place, why shouldn’t fonts? FFP is based on purchasing power parity by the World Bank.

It looks like you’re in Germany. Your total cost will be adjusted down by 16%. Country and final pricing confirmation at checkout. Learn More.

Select Gothic UI Mono

NaN Gothic UI Mono Subfamily Per Style ⁘ €40

Select Your Font License

1. License Type

Our Commercial License is based on a perpetual, worry-free model with no surprise costs. The key metric we use is the end-user’s company size as measured by employee count. Agencies are allowed to buy and use fonts on behalf of their end-user clients.

Our Pitch License offers access to complete, full-featured fonts for internal trial and pitch purposes only at a 70% discount. This allows you to test-drive and present our fonts in your mockups before project sign-off.

We offer an 80% discount to students and educators. Students may use licensed fonts for both school projects and commercial ones during and after their studies, as long as they work for companies with less than 6 employees. No I.D required, we trust you.

Our Charity and Social Enterprise License offers everything that our Commercial one does but for a 50% discount. The licensee must be a registered charity, non-profit or social enterprise.

2. Covered usages

3. Company Name
[?]
End-user company name including client or organisation / student. The company or organisation making final use of the fonts for its communication. The agency or studio is only a sub-contractor. By using the fonts, this company agrees to the license terms.

4. Company Size
[?]
This is the number of people who work for the end-user company (employees and sub-contractors combined). External designers or agencies working on behalf of the end-user should be included. Any freelancer or sub-contractor working more than half of their time for the Licensee for a duration of minimum 3 months should be counted in their employee number.

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Read our EULA

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Any doubts or questions? Read our F.A.Q.

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NaN
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  • NaN Rage Slab XCondensed – Regular
  • NaN Rage Slab XCondensed – Medium
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  • NaN Rage Slab XCondensed – Bold
  • NaN Rage Slab XCondensed – ExtraBold
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  • NaN Index Mono — ExtraBold
  • NaN Index Mono — Black
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Drum Wide
  • NaN Drum Wide — ExtraLight
  • NaN Drum Wide — Light
  • NaN Drum Wide — Regular
  • NaN Drum Wide — Medium
  • NaN Drum Wide — Bold
  • NaN Drum Wide — ExtraBold
  • NaN Drum Wide — Heavy